CLAUDIA

How do I look?

                                             LOUIS

Still my beautiful child.

Claudia laughs.

                                            CLAUDIA

A beautiful child! Is that what you still think I am?

                                             LOUIS

Yes...

He turns away.

                                            CLAUDIA

Why do you turn away? Why don't you look.

She twirls, looking at herself in ht emirror, then stops, stares at herself.

                                            CLAUDIA

You want me to be your daughter forever, don't you?

                                             LOUIS

Yes.

                                            CLAUDIA

Well tell me, papa. What was it like making love?

Louis is stunned. He blushes.

                                            CLAUDIA

You don't remember? Or you never knew.

                                             LOUIS

It was something hurries...and seldom savoured... something acute that was quickly lost. It was the pale shadow of killing.

                                            CLAUDIA

But how will I ever know, Louis?

She stares at him through the mirror.

                                            CLAUDIA

I'll never find them, will I? My own kind...

EXT. BOULEVARD. EVENING.

Louis and Claudia walk along a boulevard like father and daughter. All around them are bourgeois Parisian families
on their evening stroll. Claudia points at the children that pass.

                                            CLAUDIA

Have I anything in common with her, Louis?

She points to a beautiful French child walking by with her mother.

                                            CLAUDIA

Or her, or her - or any of them?

                                             LOUIS

Claudia, you torture yourself.

                                            CLAUDIA

They are ducklings, that will grow into swans. Whereas I must be the duckling forever.

                                             LOUIS

You are more beautiful than any of them.

EXT. DOLL-SHOP. NIGHT.

We see Madeleine, inside, painting a doll's face. Louis and Claudia arrive outside.

                                            CLAUDIA

All her dolls resemble me.

POV --

Claudia's face, with the dolls in the background. The resemblance is uncanny.

                                            CLAUDIA

Are they my kind Louis? Dolls never change either.

                                             LOUIS

You are neither, Claudia. Now stop this --

Madeleine sees Claudia from inside. She waves.

                                             LOUIS

You know her?

                                            CLAUDIA

Yes. Should I take her, Louis? Among her dolls? make a doll of her in turn?

                                             LOUIS

Come, Claudia...

He takes her arm. But Claudia shakes him off, and moves into the shop.

EXT. LATIN QUARTER. NIGHT.

Louis walks briskly, head bowed.

                                           LOUIS (VO)

For a time we had been almost human, in the sensual whirl of whtt Paris had to offer. But the human delights of that city only
served to remind her of the ageless child she had become. I felt her pain as I walked until I become aware that I was being
followed.

CU LOUIS' FEET -

Walking. A step echoes his.

Louis stops. Turns, sees nothing. Then walks again. The echoing steps begin again.

Louis again. Sees a shadow, flitting.

                                             LOUIS

Claudia!

Nothing. He walks again, hears the same effect. Then he stops. He stares at a gaslamp opposite.

                                           LOUIS (VO)

So it was when I had given up the search for vampires that a vampire found me...

Santiago, a tall vampire, materialises under the gaslight. And Louis gradually realises that this vampire has assumed
the same attitude, posture, clothes and hair-style as Louis.

Louis gives an involuntary shake of the head. Santiago mimics. Louis takes a step forwards. Santiago mimics. Louis
folds his arms. Santiago mimics.

                            LOUIS AND STATIAGO (SIMULTANEOUSLY)

Clever.

                                             LOUIS

You mean me harm?

                                   SANTIAGO (A BEAT LATER)

You mean me harm?

Louis calculates.

                                             LOUIS

Trickster. Buffoon!

Santiago echoes the first word, but not the second. Louis has broken his composure. He turns his back on Santiago,
only to come face to face with Santiago right in front of him.

Again Louis turns this back to find Santiago facing him.

Louis turns, glowers, refusing to look at him.

                                             LOUIS

I've searched the world for an immortal and this is what I find?

Slowly he looks up. Santiago draws close, breaking the mirror trick and suddenly slams Louis back against the wall.

Louis is furious. He regains his balance, strikes out at Santiago and when Santiago vanishes, to reappear behind him,
Louis slams back his elbow into his midriff. Santiago staggers, amazed and then rushes at Louis, throwing him down.

Louis rolls back to his feet, then to his amazement sees two vampires, on in front, on behind. He looks both ways, then
sees one has vanished. He stares, awestruck, at this new one:

ARMAND

He looks like an angel.

                                            ARMAND

You are all right.

He reaches into his waistcoat, takes an engraved invitation out of his pocket and thrusts it at Louis.

Louis reads it alound, as we see:

                                    THEATRE DES VAMPIRES
                                        By Special Invitation
                                           Friday, 9 p.m.

                                            ARMAND

Bring the petit beauty with you. No one will harm you. I won't allow it. Remember my name. Armand.

Armand bows and vanishes.

Louis listens to the silence.

EXT BOULEVARD DES CAPUCHINES - THEATRE DES VAMPIRES - NIGHT

Louis formally dressed with Claudia in rich attire on his arm. They pass people buying tickets for the theatre and go
inside.

                                             LOUIS

Remember what I've told you. They'll have different powers. They'll read your thoughts if you allow it.

They draw close to:

HUGE POSTERS, reading --

                               THEATRE DES VAMPIRES PRESENTS
                                 THE MASQUE OF THE RED DEATH
                                        By Edgar Allen Poe

The posters are illustrated with cliched images of vampires overcoming damsels in distress.

ANOTHER ANGLE

                                            CLAUDIA

But this can't be real. This is nonsense.

                                    ;          LOUIS

Nonsense all right. But something tell me it's going to be the strangest nonsense we've ever seen.

Warily, they show their invitations to the mortal ticket taker at the door. He glances away indifferently.

INT THEATRE BOX. NIGHT.

Claudia and Louis look at the crowd as the lights go down.

                                            CLAUDIA

Mortals, mortals everywhere. And lots of drops to drink.

                                             LOUIS

They are here. I know they are. Listen for something that doesn't make a sound.

Stage: curtain rises.

An elaborate painted set of an Italianate castle. Death standing before it, the traditional image of the Grim Reaper,
complete with magnificent scythe.

                                        LOUIS (WHISPER)

It's a vampire. It's the one I saw in Rue St Jacques.

A version of the Poe story unfolds before them. All of the participants are vampires. All beautiful gleaming white, aged                                              LOUIS

They use no paint. And the audience think it is paint.

                                            CLAUDIA

How devilishly clever.

A spotlight uncovers a mortal woman suddenly forced out upon the stage.

                                            CLAUDIA

She's no vampire.

                                             LOUIS

No. She's frightened. She doesn't know where she is.

The audience laughts uneasily, then stops as the Mortal Woman comes into the footlights. She is too beautiful, too
confused. Santiago, as Death, advances on her. She backs away, terrified, then sees the other vampires, in a phalanx,
advancing from behind, in a half-circle.

                                        MORTAL WOMAN

I don't want to die!

She looks around in panic. Santiago swoons, arms over his breast as if he is hopelessly in love.

                                           SANTIAGO

We are death!

The Mortal Woman steps to the footlights.

                                        MORTAL WOMAN

Someone help me. Please... What have I done?

Louis whispers to Claudia.

                                             LOUIS

This is no performance.

                                            CLAUDIA

And no one knows but us...

ON THE STAGE --

                                           SANTIAGO

We all die. Death is the one thing you share with all those here.

Santiago gestures to the audience.

AUDIENCE.

Rapt faces.

ON STAGE

                                        MORTAL WOMAN

But I'm young...

                                           SANTIAGO

Death is no respecter of age. He can come any time, any place. Need I tell you what fate has in store for you?

                                        MORTAL WOMAN

I would take my chance. Let me go! Please...

                                           SANTIAGO

And if you take that chance and live, what is your fate? The humpbacked toothless visage of old age?

Santiago approaches her and tears the drawstring out of her peasant blouse. It opens completely and starts to slip. She
tries to catch it, but gently stops her wrists. The blouse falls, exposing her young breasts.

LOUIS AND CLAUDIA

                                             LOUIS

This is monstrous!

                                            CLAUDIA

Yes, and very beautiful.

ON STAGE

                                           SANTIAGO

Just as this flesh is pink now, it will turn grey and wrinkle with age.

                                            WOMAN

Let me live, please. I don't care.

                                           SANTIAGO

Then why should you care if you die now?

She shakes her head, confused. he catches her wrists behind her back.

AUDIENCE is awestruck by her beauty, her suffereing.

SANTIAGO draws near her cheek.

                                           SANTIAGO

And suppose death had a heart to love and to release you? To whom would he turn his passion? Would you pick a person
from the crowd there? A person to suffer as you suffer?

AUDIENCE

A young girl cries out in jest.

                                          YOUNG GIRL

Oh, yes, take me Monsier Vampire! I adore you!

Audience roars with laughter.

ONSTAGE

                                           SANTIAGO

You wait your turn.

The AUDIENCE laughs again.

The Mortal Woman shakes her head in panic.

                                           SANTIAGO

Well, have you a sister, a mother, a daughter you would send in your place?

CLOSE ON CLAUDIA

Even she is repelled by the cruelty. She shakes her head.

MORTAL WOMAN

Shakes her head. She is helpless.

                                           SANTIAGO

We alone can give death meaning. Do you know what it means to be loved by death, to become our bride?

MORTAL WOMAN looks up on hte verge of hysteria or fainting. But then her eyes mist over. She is being entranced.

FROM HER POV we realise she is looking past Santiago at the divinely beautiful Armand, who has just stepped out of
the wings. Armand has entranced her. He passes Santiago. Santiago stiffens, but yields the stage.

                                            ARMAND

No pain.

                                        MORTAL WOMAN

No pain?

ARMAND takes her by the nakes shoulders.

                                            ARMAND

Your beauty is a gift to us.

ON STAGE

Armand gestures to the others who slowly, gracefully close in.

                                            ARMAND

Who deserves such a gift?

He pulls the drawstring from her skirt and it falls revealing her nakedness. But she is spellbound.

                                        MORTAL WOMAN

No pain...

Armand embraces her, drinks, her naked body stark against her black clothes, then he passes her to the other
vampires one by one.

CLOSE ON LOUIS who battles desire and hunger with anger.

                                             LOUIS

I've seen enough of this! I loathe it!

                                            CLAUDIA

Be still!

ON STAGE

The naked Mortal Woman lies dead on the floor. The vampires seem to vanish one by one. As the curtain draws across,
the Audience loudly applauds what they presume are theatrical tricks.

ANOTHER ANGLE

The audience, milling towards the exits. They talk in vacuous terms about the beauty of the show, the symbolism of it,
the daring of it as they leave.

Gradually Louis and Claudia are left alone in the empty theatre. Louis seems anxious to leave. Claudia whispers in his
ear.

                                            CLAUDIA

Patience, Louis. Patience.

He looks around the empty theatre, more eery now than when the play was on. The red curtain shifts slightly in a
hidden breeze, a candle sputters and dies in a box. Then the candle flares again, and we see Armand in the box,
looking down on them. He stares with a dreamy expression, saying nothing.

                                             LOUIS

We've been searching for you for a very long time...

His voice echoes eerily. Armand gestures for them to follow him.

INT. FOOT OF STAIRWAY.

Armand leading, Louis and Claudia following. It opens into a --

HUGE UNDERGROUND BALLROOM

Walls are painted with famous copies of Durer, Brueghel, Goya and Bosch depictions of death. Fine wooden coffins
line the walls. Candles burn in sconces, casting alternate shawdows and pools of light. Armand walks through,
gesturing Louis and Claudia to follow him.

As they walk through, vampire man and women appear out of the shadows like wraiths, startling them, drifting
around them, stroking them, touching Claudia as if she were a doll. Shrieks of preternatural laughter.

Armand gestures to the vampires to back off.

All obey but ESTELLE.

                                            ESTELLE

Such a darling.

She menaces Claudia, her breasts enormous, her fangs bared. Armand throw her a look, and she is flung against the
wall.

Louis stares around. The vampires faces drift towards him and away, always disclosing the face of Armand, who
seems some distance away, but strangely close, staring at Louis with a constantly calm, hypnotic gaze. Then a young
mortal boy comes from the shadows with a candleabra, which he hands to Armand.

Armand and the boy come towards them, leading them along the walls, his candleabra illuminating the ghastly murals,
his face gleaming like an angel above the candleflame.

                                             LOUIS

Monstrous.

                                            ARMAND

Yes, and very beautiful.

                                             LOUIS

Your lips, they didn't move.

                                            ARMAND

They did, but too fast for you to see them. No magic, just grace and speed.

The boy is watching Louis. Armand's hand beckons and the boy draws up to Louis in the candlelight. He places his
arms on Louis' shoulders. Louis glances at Armand, who smiles. Louis sees the puncture marks on the boy's neck.

                                            ARMAND

He wants you...

Louis is utterly confused. Can't resist. Drinks his blood.

The boy's body presses against him, sensual, willing. The other vampires appear all around Louis, who suddenly senses
it and draws away, ashamed.

Claudia watches warily, from a distance. Armand beckons at her and Louis and open a door in the wall which reveals
a stone staircase.

INT. MEDIEVAL ROOM.

Medieval chairs, table, an old coffin, a bed in one corner, a blazing fire. A medieval painting of Satan, being banished
from heaven, above the fire. Armand places the boy on the bed, settling him so he sleeps.

                                            ARMAND

Disappointing, isn't it? To come so far and find so little. Jaded ingenues, amusing themselves with make- believe...

                                             LOUIS

We had feared we were the only ones...

                                            ARMAND

But how did you come into existence?

He glances at Louis, then at Claudia, who averts her eyes.

                                            ARMAND

You don't want to answer... Two vampires from the new world, come to guide us into the new era as all we love slowly rots
and fades away.

                                             LOUIS

Are you the leader of tis group?

                                            ARMAND

If there were a leader, I would be the one.

Claudia stares at him constantly, guarded.

                                             LOUIS

So you have the answers...

                                            ARMAND

Ah! You have questions?

                                             LOUIS

What are we?

                                            ARMAND

Nothing if not vampires...

                                             LOUIS

Who made us what we are?

                                            ARMAND

Surely you know the one who made you...

                                             LOUIS

But the one who made him, who made the one who made him, the source of all this evil...

Louis looks at the picture. Armand watches him.

                                            ARMAND

That is a picture, nothing more.

                                             LOUIS

You mean we are not children of Satan?

                                            ARMAND

No.

He smiles at Louis. A smile of infinite compassion.

                                            ARMAND

I understand. I saw you in the theatre, your suffering, your sympathy for that girl. I saw you with the boy. You die when you
kill, you feel you deserve to die and you stint on nothing. But does that make you evil? Or, since you comprehend what you call
goodness, does it not make you good?

                                             LOUIS

Then there is nothing.

                                            ARMAND

Perhaps...

He passes his finger through the candle flame.

                                            ARMAND

And perhaps this is the only real evil left...

                                             LOUIS

Then God does not exist...

                                            ARMAND

I have not spoken to him...

                                             LOUIS

And no vampire here has discourse with God or the Devil?

                                            ARMAND

None that I've ever known. I know nothing of God or the Devil, I have never seen a vision nor learnt a secret that would damn
or save my soul. And as far as I know, after four hundred years I am the oldest living vampire in the world.

He stares at them, his face angelic, hypnotic, young. His eyes hold them both in a trance.

                                             LOUIS

My God... So it's as I always feared. Nothing, leading to nothing.

                                            ARMAND

You fell too much. So much you make me feel...

He stares from Claudia to Louis. He seems to be reading their souls.

                                            ARMAND

The one who made you should have told you this. The one who left the old world for the new...

                                             LOUIS

He knew nothing. He just didn't care.

                                            ARMAND

Knew? You mean he is...

Claudia appears suddenly to Louis' shoulder, interrupting.

                                            CLAUDIA

Come, beloved. It's time we were on our way. I'm hungry and the city waits.

She stares hard at Armand. Armand looks from her to Louis.

                                            ARMAND

So soon to go?

He seems genuinely regretful. But Claudia pulls Louis out.

INT. DARKENED CORRIDORS AND THEATRE. NIGHT.

Louis and Claudia feel their way through darkened corridors, trying to find their way out.

                                           LOUIS (VO)

The place was dark as we left, a darkness that confounded even Claudia. And as we blundered through it, again came the
thought: I have wronged Lestat, I have hated him for th wrong reasons.

Suddenly a light comes on. They see they are in the empty theatre. Santiago stands on the stage, under a candle.

                                           SANTIAGO

How did you wrong him?

Louis is stunned.

                                             LOUIS

You read my thoughts?

                                           SANTIAGO

You said a name -

                                             LOUIS

A name I don't want to say again.

                                           SANTIAGO

I seemed to recongise it...

Other vampires appear behind him.

                                      &n bsp;    SANTIAGO

There is but one crime among us vampires here.

He looks at Claudia.

                                           SANTIAGO

You should know, who are so secretive about the vampire who made you.

Claudia laughs.

                                            CLAUDIA

Boredom!

                                           SANTIAGO

It is the crime that means death to any vampire. To kill your own kind!

                                            CLAUDIA

Aaaah! I was so afraid it was to be born like Venus out of the foam, as we were! Come Louis, let's go!

EXT. HOTEL SAINT GABRIEL. NIGHT.

Claudia and Louis enter the Lobby.

                                            CLAUDIA

I lothe them! I can't stand the sight of them! Stupid bourgeois Parisians, all dressed in black like some private club! I've
searched for them the world over and I despise them!

                                             LOUIS

What danger?