CLAUDIA
How do I look?
LOUIS
Still my beautiful child.
Claudia laughs.
CLAUDIA
A beautiful child! Is that what you still think I am?
LOUIS
Yes...
He turns away.
CLAUDIA
Why do you turn away? Why don't you look.
She twirls, looking at herself in ht emirror, then stops, stares at herself.
CLAUDIA
You want me to be your daughter forever, don't you?
LOUIS
Yes.
CLAUDIA
Well tell me, papa. What was it like making love?
Louis is stunned. He blushes.
CLAUDIA
You don't remember? Or you never knew.
LOUIS
It was something hurries...and seldom savoured... something acute that was quickly lost. It was the pale shadow of killing.
CLAUDIA
But how will I ever know, Louis?
She stares at him through the mirror.
CLAUDIA
I'll never find them, will I? My own kind...
EXT. BOULEVARD. EVENING.
Louis and Claudia walk along a boulevard like father and daughter. All
around them are bourgeois Parisian families
on their evening stroll. Claudia points at the children that pass.
CLAUDIA
Have I anything in common with her, Louis?
She points to a beautiful French child walking by with her mother.
CLAUDIA
Or her, or her - or any of them?
LOUIS
Claudia, you torture yourself.
CLAUDIA
They are ducklings, that will grow into swans. Whereas I must be the duckling forever.
LOUIS
You are more beautiful than any of them.
EXT. DOLL-SHOP. NIGHT.
We see Madeleine, inside, painting a doll's face. Louis and Claudia arrive outside.
CLAUDIA
All her dolls resemble me.
POV --
Claudia's face, with the dolls in the background. The resemblance is uncanny.
CLAUDIA
Are they my kind Louis? Dolls never change either.
LOUIS
You are neither, Claudia. Now stop this --
Madeleine sees Claudia from inside. She waves.
LOUIS
You know her?
CLAUDIA
Yes. Should I take her, Louis? Among her dolls? make a doll of her in turn?
LOUIS
Come, Claudia...
He takes her arm. But Claudia shakes him off, and moves into the shop.
EXT. LATIN QUARTER. NIGHT.
Louis walks briskly, head bowed.
LOUIS (VO)
For a time we had been almost human, in the sensual whirl of whtt Paris
had to offer. But the human delights of that city only
served to remind her of the ageless child she had become. I felt her
pain as I walked until I become aware that I was being
followed.
CU LOUIS' FEET -
Walking. A step echoes his.
Louis stops. Turns, sees nothing. Then walks again. The echoing steps begin again.
Louis again. Sees a shadow, flitting.
LOUIS
Claudia!
Nothing. He walks again, hears the same effect. Then he stops. He stares at a gaslamp opposite.
LOUIS (VO)
So it was when I had given up the search for vampires that a vampire found me...
Santiago, a tall vampire, materialises under the gaslight. And Louis
gradually realises that this vampire has assumed
the same attitude, posture, clothes and hair-style as Louis.
Louis gives an involuntary shake of the head. Santiago mimics. Louis
takes a step forwards. Santiago mimics. Louis
folds his arms. Santiago mimics.
LOUIS AND STATIAGO (SIMULTANEOUSLY)
Clever.
LOUIS
You mean me harm?
SANTIAGO (A BEAT LATER)
You mean me harm?
Louis calculates.
LOUIS
Trickster. Buffoon!
Santiago echoes the first word, but not the second. Louis has broken
his composure. He turns his back on Santiago,
only to come face to face with Santiago right in front of him.
Again Louis turns this back to find Santiago facing him.
Louis turns, glowers, refusing to look at him.
LOUIS
I've searched the world for an immortal and this is what I find?
Slowly he looks up. Santiago draws close, breaking the mirror trick and suddenly slams Louis back against the wall.
Louis is furious. He regains his balance, strikes out at Santiago and
when Santiago vanishes, to reappear behind him,
Louis slams back his elbow into his midriff. Santiago staggers, amazed
and then rushes at Louis, throwing him down.
Louis rolls back to his feet, then to his amazement sees two vampires,
on in front, on behind. He looks both ways, then
sees one has vanished. He stares, awestruck, at this new one:
ARMAND
He looks like an angel.
ARMAND
You are all right.
He reaches into his waistcoat, takes an engraved invitation out of his pocket and thrusts it at Louis.
Louis reads it alound, as we see:
THEATRE DES VAMPIRES
By Special Invitation
Friday, 9 p.m.
ARMAND
Bring the petit beauty with you. No one will harm you. I won't allow it. Remember my name. Armand.
Armand bows and vanishes.
Louis listens to the silence.
EXT BOULEVARD DES CAPUCHINES - THEATRE DES VAMPIRES - NIGHT
Louis formally dressed with Claudia in rich attire on his arm. They
pass people buying tickets for the theatre and go
inside.
LOUIS
Remember what I've told you. They'll have different powers. They'll read your thoughts if you allow it.
They draw close to:
HUGE POSTERS, reading --
THEATRE DES VAMPIRES PRESENTS
THE MASQUE OF THE RED DEATH
By Edgar Allen Poe
The posters are illustrated with cliched images of vampires overcoming damsels in distress.
ANOTHER ANGLE
CLAUDIA
But this can't be real. This is nonsense.
; LOUIS
Nonsense all right. But something tell me it's going to be the strangest nonsense we've ever seen.
Warily, they show their invitations to the mortal ticket taker at the door. He glances away indifferently.
INT THEATRE BOX. NIGHT.
Claudia and Louis look at the crowd as the lights go down.
CLAUDIA
Mortals, mortals everywhere. And lots of drops to drink.
LOUIS
They are here. I know they are. Listen for something that doesn't make a sound.
Stage: curtain rises.
An elaborate painted set of an Italianate castle. Death standing before
it, the traditional image of the Grim Reaper,
complete with magnificent scythe.
LOUIS (WHISPER)
It's a vampire. It's the one I saw in Rue St Jacques.
A version of the Poe story unfolds before them. All of the participants
are vampires. All beautiful gleaming white, aged
LOUIS
They use no paint. And the audience think it is paint.
CLAUDIA
How devilishly clever.
A spotlight uncovers a mortal woman suddenly forced out upon the stage.
CLAUDIA
She's no vampire.
LOUIS
No. She's frightened. She doesn't know where she is.
The audience laughts uneasily, then stops as the Mortal Woman comes
into the footlights. She is too beautiful, too
confused. Santiago, as Death, advances on her. She backs away, terrified,
then sees the other vampires, in a phalanx,
advancing from behind, in a half-circle.
MORTAL WOMAN
I don't want to die!
She looks around in panic. Santiago swoons, arms over his breast as if he is hopelessly in love.
SANTIAGO
We are death!
The Mortal Woman steps to the footlights.
MORTAL WOMAN
Someone help me. Please... What have I done?
Louis whispers to Claudia.
LOUIS
This is no performance.
CLAUDIA
And no one knows but us...
ON THE STAGE --
SANTIAGO
We all die. Death is the one thing you share with all those here.
Santiago gestures to the audience.
AUDIENCE.
Rapt faces.
ON STAGE
MORTAL WOMAN
But I'm young...
SANTIAGO
Death is no respecter of age. He can come any time, any place. Need I tell you what fate has in store for you?
MORTAL WOMAN
I would take my chance. Let me go! Please...
SANTIAGO
And if you take that chance and live, what is your fate? The humpbacked toothless visage of old age?
Santiago approaches her and tears the drawstring out of her peasant
blouse. It opens completely and starts to slip. She
tries to catch it, but gently stops her wrists. The blouse falls, exposing
her young breasts.
LOUIS AND CLAUDIA
LOUIS
This is monstrous!
CLAUDIA
Yes, and very beautiful.
ON STAGE
SANTIAGO
Just as this flesh is pink now, it will turn grey and wrinkle with age.
WOMAN
Let me live, please. I don't care.
SANTIAGO
Then why should you care if you die now?
She shakes her head, confused. he catches her wrists behind her back.
AUDIENCE is awestruck by her beauty, her suffereing.
SANTIAGO draws near her cheek.
SANTIAGO
And suppose death had a heart to love and to release you? To whom would
he turn his passion? Would you pick a person
from the crowd there? A person to suffer as you suffer?
AUDIENCE
A young girl cries out in jest.
YOUNG GIRL
Oh, yes, take me Monsier Vampire! I adore you!
Audience roars with laughter.
ONSTAGE
SANTIAGO
You wait your turn.
The AUDIENCE laughs again.
The Mortal Woman shakes her head in panic.
SANTIAGO
Well, have you a sister, a mother, a daughter you would send in your place?
CLOSE ON CLAUDIA
Even she is repelled by the cruelty. She shakes her head.
MORTAL WOMAN
Shakes her head. She is helpless.
SANTIAGO
We alone can give death meaning. Do you know what it means to be loved by death, to become our bride?
MORTAL WOMAN looks up on hte verge of hysteria or fainting. But then her eyes mist over. She is being entranced.
FROM HER POV we realise she is looking past Santiago at the divinely
beautiful Armand, who has just stepped out of
the wings. Armand has entranced her. He passes Santiago. Santiago stiffens,
but yields the stage.
ARMAND
No pain.
MORTAL WOMAN
No pain?
ARMAND takes her by the nakes shoulders.
ARMAND
Your beauty is a gift to us.
ON STAGE
Armand gestures to the others who slowly, gracefully close in.
ARMAND
Who deserves such a gift?
He pulls the drawstring from her skirt and it falls revealing her nakedness. But she is spellbound.
MORTAL WOMAN
No pain...
Armand embraces her, drinks, her naked body stark against her black
clothes, then he passes her to the other
vampires one by one.
CLOSE ON LOUIS who battles desire and hunger with anger.
LOUIS
I've seen enough of this! I loathe it!
CLAUDIA
Be still!
ON STAGE
The naked Mortal Woman lies dead on the floor. The vampires seem to
vanish one by one. As the curtain draws across,
the Audience loudly applauds what they presume are theatrical tricks.
ANOTHER ANGLE
The audience, milling towards the exits. They talk in vacuous terms
about the beauty of the show, the symbolism of it,
the daring of it as they leave.
Gradually Louis and Claudia are left alone in the empty theatre. Louis
seems anxious to leave. Claudia whispers in his
ear.
CLAUDIA
Patience, Louis. Patience.
He looks around the empty theatre, more eery now than when the play
was on. The red curtain shifts slightly in a
hidden breeze, a candle sputters and dies in a box. Then the candle
flares again, and we see Armand in the box,
looking down on them. He stares with a dreamy expression, saying nothing.
LOUIS
We've been searching for you for a very long time...
His voice echoes eerily. Armand gestures for them to follow him.
INT. FOOT OF STAIRWAY.
Armand leading, Louis and Claudia following. It opens into a --
HUGE UNDERGROUND BALLROOM
Walls are painted with famous copies of Durer, Brueghel, Goya and Bosch
depictions of death. Fine wooden coffins
line the walls. Candles burn in sconces, casting alternate shawdows
and pools of light. Armand walks through,
gesturing Louis and Claudia to follow him.
As they walk through, vampire man and women appear out of the shadows
like wraiths, startling them, drifting
around them, stroking them, touching Claudia as if she were a doll.
Shrieks of preternatural laughter.
Armand gestures to the vampires to back off.
All obey but ESTELLE.
ESTELLE
Such a darling.
She menaces Claudia, her breasts enormous, her fangs bared. Armand throw
her a look, and she is flung against the
wall.
Louis stares around. The vampires faces drift towards him and away,
always disclosing the face of Armand, who
seems some distance away, but strangely close, staring at Louis with
a constantly calm, hypnotic gaze. Then a young
mortal boy comes from the shadows with a candleabra, which he hands
to Armand.
Armand and the boy come towards them, leading them along the walls,
his candleabra illuminating the ghastly murals,
his face gleaming like an angel above the candleflame.
LOUIS
Monstrous.
ARMAND
Yes, and very beautiful.
LOUIS
Your lips, they didn't move.
ARMAND
They did, but too fast for you to see them. No magic, just grace and speed.
The boy is watching Louis. Armand's hand beckons and the boy draws up
to Louis in the candlelight. He places his
arms on Louis' shoulders. Louis glances at Armand, who smiles. Louis
sees the puncture marks on the boy's neck.
ARMAND
He wants you...
Louis is utterly confused. Can't resist. Drinks his blood.
The boy's body presses against him, sensual, willing. The other vampires
appear all around Louis, who suddenly senses
it and draws away, ashamed.
Claudia watches warily, from a distance. Armand beckons at her and Louis
and open a door in the wall which reveals
a stone staircase.
INT. MEDIEVAL ROOM.
Medieval chairs, table, an old coffin, a bed in one corner, a blazing
fire. A medieval painting of Satan, being banished
from heaven, above the fire. Armand places the boy on the bed, settling
him so he sleeps.
ARMAND
Disappointing, isn't it? To come so far and find so little. Jaded ingenues, amusing themselves with make- believe...
LOUIS
We had feared we were the only ones...
ARMAND
But how did you come into existence?
He glances at Louis, then at Claudia, who averts her eyes.
ARMAND
You don't want to answer... Two vampires from the new world, come to
guide us into the new era as all we love slowly rots
and fades away.
LOUIS
Are you the leader of tis group?
ARMAND
If there were a leader, I would be the one.
Claudia stares at him constantly, guarded.
LOUIS
So you have the answers...
ARMAND
Ah! You have questions?
LOUIS
What are we?
ARMAND
Nothing if not vampires...
LOUIS
Who made us what we are?
ARMAND
Surely you know the one who made you...
LOUIS
But the one who made him, who made the one who made him, the source of all this evil...
Louis looks at the picture. Armand watches him.
ARMAND
That is a picture, nothing more.
LOUIS
You mean we are not children of Satan?
ARMAND
No.
He smiles at Louis. A smile of infinite compassion.
ARMAND
I understand. I saw you in the theatre, your suffering, your sympathy
for that girl. I saw you with the boy. You die when you
kill, you feel you deserve to die and you stint on nothing. But does
that make you evil? Or, since you comprehend what you call
goodness, does it not make you good?
LOUIS
Then there is nothing.
ARMAND
Perhaps...
He passes his finger through the candle flame.
ARMAND
And perhaps this is the only real evil left...
LOUIS
Then God does not exist...
ARMAND
I have not spoken to him...
LOUIS
And no vampire here has discourse with God or the Devil?
ARMAND
None that I've ever known. I know nothing of God or the Devil, I have
never seen a vision nor learnt a secret that would damn
or save my soul. And as far as I know, after four hundred years I am
the oldest living vampire in the world.
He stares at them, his face angelic, hypnotic, young. His eyes hold them both in a trance.
LOUIS
My God... So it's as I always feared. Nothing, leading to nothing.
ARMAND
You fell too much. So much you make me feel...
He stares from Claudia to Louis. He seems to be reading their souls.
ARMAND
The one who made you should have told you this. The one who left the old world for the new...
LOUIS
He knew nothing. He just didn't care.
ARMAND
Knew? You mean he is...
Claudia appears suddenly to Louis' shoulder, interrupting.
CLAUDIA
Come, beloved. It's time we were on our way. I'm hungry and the city waits.
She stares hard at Armand. Armand looks from her to Louis.
ARMAND
So soon to go?
He seems genuinely regretful. But Claudia pulls Louis out.
INT. DARKENED CORRIDORS AND THEATRE. NIGHT.
Louis and Claudia feel their way through darkened corridors, trying to find their way out.
LOUIS (VO)
The place was dark as we left, a darkness that confounded even Claudia.
And as we blundered through it, again came the
thought: I have wronged Lestat, I have hated him for th wrong reasons.
Suddenly a light comes on. They see they are in the empty theatre. Santiago stands on the stage, under a candle.
SANTIAGO
How did you wrong him?
Louis is stunned.
LOUIS
You read my thoughts?
SANTIAGO
You said a name -
LOUIS
A name I don't want to say again.
SANTIAGO
I seemed to recongise it...
Other vampires appear behind him.
&n bsp; SANTIAGO
There is but one crime among us vampires here.
He looks at Claudia.
SANTIAGO
You should know, who are so secretive about the vampire who made you.
Claudia laughs.
CLAUDIA
Boredom!
SANTIAGO
It is the crime that means death to any vampire. To kill your own kind!
CLAUDIA
Aaaah! I was so afraid it was to be born like Venus out of the foam, as we were! Come Louis, let's go!
EXT. HOTEL SAINT GABRIEL. NIGHT.
Claudia and Louis enter the Lobby.
CLAUDIA
I lothe them! I can't stand the sight of them! Stupid bourgeois Parisians,
all dressed in black like some private club! I've
searched for them the world over and I despise them!
LOUIS
What danger?